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Gala, the savior of Salvador Dalí. Surreal Erotica

Speaking of Salvador Dali is impossible not to Elena Dimitrievna Diakonova, or simply Gala, the muse of many artists and therefore a current and a time, surrealism. In 1929, Gala, and married to Paul Eluard, along with other artists, went to visit a novice painter. The ease of this beautiful and unpredictable woman made an impression in this overwhelming Catalan painter, who was none other than Dalí himself, who amazed, began to long for so possess the looks of which later became his muse and inspiration.

Such madness would be the Gala, eleven years older, I woke up, that in attempting to speak, the painter was surprised by uncontrollable fits of laughter that literally forced him to writhe on the floor. Indeed, the day he declared his love, he the same scene. He suffered and laughed, kneeling at his feet, he heard from the lips of his beloved "... my little boy, no never be apart ..." .

Later, he thus refers to her muse: " Gala has given me, in the true sense of the word the structure was missing in my life. I was no more than a sack full of holes, soft and fuzzy, always looking for a crutch. Gala bound, I found a spine, making love to her I have completed my skin. So far my sperm is lost due to masturbation thrown into anything, I recovered and Gala has revived me. At first I thought she was going to devour me, but on the contrary, has taught me to eat real. By signing my paintings as 'Gala-Dali' I only name a truly existential because it would not exist without my twin Gala ".

But

Madness painter completely subsided with the arrival of Gala. Dalí was a man many geniuses disorganized, vain, neurotic, and she put reins on the impetus that they were hopelessly pounding. Undoubtedly, a strong and dominant woman, "violent and sterile" as André Breton called it in his dictionary of Surrealism, which could act both as protective and saving Salvador Dalí's own, or be the same femme fatale , Youthful seductive and bon vivant, fond of most shameless adultery.

Tired known infidelities Gala, which Indeed, Dali did not disapprove, but quietly encouraged Candaules given traits similar to voyeurism, paraphilia, which had the painter. From this, we need a night in 1929, the painter found out only because Gala 'cinema', Dalí was so excited with his memory jerking ending. Released this sexual instinct, she began her work "The Great Masturbator " where there is another to himself as protagonist and where in addition to observing many elements of sexual connotation, you see a white lily, which represents purity, as Dalí defined masturbation as sex purer. Also noting " Dream Caused by the Flight of a Bee around a Pomegranate a Second before Awakening" , we can see his muse Gala in all its glitz, levitating on a rock floating in the thin Tues The tranquility succumbs to the ferocity of tigers (phallic symbolism) that flow one after the other in the air from the mouth of a fish which in turn emerges from the grenade.

Salvador Dali - The Great Masturbator

Salvador Dalí - Dream Caused by the Flight

of a bee around a pomegranate one second before awakening

Even with all the vagaries of both Gala and the Dalí himself, both in marriage and wanted to join back in 1949, the eccentric couple visited the Vatican to make a unique gift to Pope Pius XII: a canvas where Gala transmuted into Virgin, appeared full of glory surrounded by angels. Taking advantage of this opportunity, they dared to ask the Pope for special permission to marry. It was known that such a marriage was not feasible given that Gala had married by the church with his first love, Paul Eluard, who was still alive. Only married until 1958 and beyond, the love affair fans that remained together, as they said when they met Gala, was a continuous swing of scandals and controversies.

Dali In 1982, attempts suicide by dehydration, a prey to utter desolation, after the death of his Gala at age 89. By not achieve its purpose, reiterates its desire to "let die" consecutively taking occasional form bursts of creation as the Gala-Dali, however, his vivid madness soon darkens into a deep depression. Dies at age 84 in 1989.

was only this passion almost pathological, this obsession, emotional dependency and the frantic desire of rapport with his muse-wife to get your joy and salvation. It is said that when Dennis Gabor, inventor of the holographic technique, visited Dali, he told him: " I would like to make a hologram of Gala, break it into pieces and eat it to feel full of it, as in communion ... ".

Clearly Gala Dalí found on a spur of provocation and constant creativity. The influence of a woman ahead of her time was nuanced to perfection with the life of an artist who not only shocked by his work, but their mere presence, his gestures, his mannerisms, even his ineffable mustache and eyebrows of Crazy inquisitor. A boy genius who once dared egomaniac compared with Nietzsche, saying "society play the game to hide the seriousness of his madness ..." and that he seemed to make the dream world its reality, living in the dream erotic lucid.

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Gala, the savior of Salvador Dalí. Surreal Erotica

Speaking of Salvador Dali is impossible not to Elena Dimitrievna Diakonova, or simply Gala, the muse of many artists and therefore a current and a time, surrealism. In 1929, Gala, and married to Paul Eluard, along with other artists, went to visit a novice painter. The ease of this beautiful and unpredictable woman made an impression in this overwhelming Catalan painter, who was none other than Dalí himself, who amazed, began to long for so possess the looks of which later became his muse and inspiration.

Such madness would be the Gala, eleven years older, I woke up, that in attempting to speak, the painter was surprised by uncontrollable fits of laughter that literally forced him to writhe on the floor. Indeed, the day he declared his love, he the same scene. He suffered and laughed, kneeling at his feet, he heard from the lips of his beloved "... my little boy, no never be apart ..." .

Later, he thus refers to her muse: " Gala has given me, in the true sense of the word the structure was missing in my life. I was no more than a sack full of holes, soft and fuzzy, always looking for a crutch. Gala bound, I found a spine, making love to her I have completed my skin. So far my sperm is lost due to masturbation thrown into anything, I recovered and Gala has revived me. At first I thought she was going to devour me, but on the contrary, has taught me to eat real. By signing my paintings as 'Gala-Dali' I only name a truly existential because it would not exist without my twin Gala ".

But

Madness painter completely subsided with the arrival of Gala. Dalí was a man many geniuses disorganized, vain, neurotic, and she put reins on the impetus that they were hopelessly pounding. Undoubtedly, a strong and dominant woman, "violent and sterile" as André Breton called it in his dictionary of Surrealism, which could act both as protective and saving Salvador Dalí's own, or be the same femme fatale , Youthful seductive and bon vivant, fond of most shameless adultery.

Tired known infidelities Gala, which Indeed, Dali did not disapprove, but quietly encouraged Candaules given traits similar to voyeurism, paraphilia, which had the painter. From this, we need a night in 1929, the painter found out only because Gala 'cinema', Dalí was so excited with his memory jerking ending. Released this sexual instinct, she began her work "The Great Masturbator " where there is another to himself as protagonist and where in addition to observing many elements of sexual connotation, you see a white lily, which represents purity, as Dalí defined masturbation as sex purer. Also noting " Dream Caused by the Flight of a Bee around a Pomegranate a Second before Awakening" , we can see his muse Gala in all its glitz, levitating on a rock floating in the thin Tues The tranquility succumbs to the ferocity of tigers (phallic symbolism) that flow one after the other in the air from the mouth of a fish which in turn emerges from the grenade.

Salvador Dali - The Great Masturbator

Salvador Dalí - Dream Caused by the Flight

of a bee around a pomegranate one second before awakening

Even with all the vagaries of both Gala and the Dalí himself, both in marriage and wanted to join back in 1949, the eccentric couple visited the Vatican to make a unique gift to Pope Pius XII: a canvas where Gala transmuted into Virgin, appeared full of glory surrounded by angels. Taking advantage of this opportunity, they dared to ask the Pope for special permission to marry. It was known that such a marriage was not feasible given that Gala had married by the church with his first love, Paul Eluard, who was still alive. Only married until 1958 and beyond, the love affair fans that remained together, as they said when they met Gala, was a continuous swing of scandals and controversies.

Dali In 1982, attempts suicide by dehydration, a prey to utter desolation, after the death of his Gala at age 89. By not achieve its purpose, reiterates its desire to "let die" consecutively taking occasional form bursts of creation as the Gala-Dali, however, his vivid madness soon darkens into a deep depression. Dies at age 84 in 1989.

was only this passion almost pathological, this obsession, emotional dependency and the frantic desire of rapport with his muse-wife to get your joy and salvation. It is said that when Dennis Gabor, inventor of the holographic technique, visited Dali, he told him: " I would like to make a hologram of Gala, break it into pieces and eat it to feel full of it, as in communion ... ".

Clearly Gala Dalí found on a spur of provocation and constant creativity. The influence of a woman ahead of her time was nuanced to perfection with the life of an artist who not only shocked by his work, but their mere presence, his gestures, his mannerisms, even his ineffable mustache and eyebrows of Crazy inquisitor. A boy genius who once dared egomaniac compared with Nietzsche, saying "society play the game to hide the seriousness of his madness ..." and that he seemed to make the dream world its reality, living in the dream erotic lucid.

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A singular world that crushes the bonds of reason. Improbable shapes and figures,

amorphous beings or robots. This is the surreal world where the subconscious and the dream world are illuminated and displayed in the foreground. Us today, through Lukas Kandl which can be called: Naked surreal. He was referring to his work: "My painting is between surrealism and fantastic art, a mixture of the strange and magical ..." "... My art largely consists of erotic themes, sensuality, poetry , sometimes an anecdote or even black humor. "

'Strange Manipulation is a work singularly sinister. Articulated a naked man hanging by thin strands of what we speculate is clearly unknown. The naked man appears to be ready to lift his head and start walking, manipulated by the mysterious power.

Lukáš Kandla - Strange Manipulations

What or who manipulates the strings? The answer can only be sensed by observing the mysterious utensils found in the drawers of the table or to realize that the holes drilled in the walls are small creatures such as the lean being, whose eyeballs can not be deeper and finally, seeing the clear highlight of the animals blackness wander around the man, knowing that one of these is particular to connect directly to the observer and face him.

On the other hand, 'Desire' seems to have been painted in a room adjacent to the previous scene, note the similar scenario that is far only in details, the same objects amorphous and disjointed, this time strewn everywhere, delicate pieces scattered bodies sweetly, giving the impression of a captivating mess that awakens the instincts. This time a woman holds her hands between her legs and a giant contraption of vanity. What do you see projected in that reflection? ... I would not know.

Finally I conclude that in these works combines the erotic and artful, some arcane subject to guidelines of sexuality deepest shelter in our unconscious.

Lukáš Kandla - The desire

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A singular world that crushes the bonds of reason. Improbable shapes and figures,

amorphous beings or robots. This is the surreal world where the subconscious and the dream world are illuminated and displayed in the foreground. Us today, through Lukas Kandl which can be called: Naked surreal. He was referring to his work: "My painting is between surrealism and fantastic art, a mixture of the strange and magical ..." "... My art largely consists of erotic themes, sensuality, poetry , sometimes an anecdote or even black humor. "

'Strange Manipulation is a work singularly sinister. Articulated a naked man hanging by thin strands of what we speculate is clearly unknown. The naked man appears to be ready to lift his head and start walking, manipulated by the mysterious power.

Lukáš Kandla - Strange Manipulations

What or who manipulates the strings? The answer can only be sensed by observing the mysterious utensils found in the drawers of the table or to realize that the holes drilled in the walls are small creatures such as the lean being, whose eyeballs can not be deeper and finally, seeing the clear highlight of the animals blackness wander around the man, knowing that one of these is particular to connect directly to the observer and face him.

On the other hand, 'Desire' seems to have been painted in a room adjacent to the previous scene, note the similar scenario that is far only in details, the same objects amorphous and disjointed, this time strewn everywhere, delicate pieces scattered bodies sweetly, giving the impression of a captivating mess that awakens the instincts. This time a woman holds her hands between her legs and a giant contraption of vanity. What do you see projected in that reflection? ... I would not know.

Finally I conclude that in these works combines the erotic and artful, some arcane subject to guidelines of sexuality deepest shelter in our unconscious.

Lukáš Kandla - The desire

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Moreau La Galatea: The summum of beauty.

Gustave Moreau - Galatea (1880)

Gustave Moreau was more than a French painter, a visionary, true symbolism above who lived between 1826 and 1898. Almost had a self-education, because for unclear vicissitudes had to leave mainstream education.

was admitted to the Royal School of Fine Arts in Paris, he copied works of masters like Correggio, Michelangelo or Raphael. It was when he began to translate his own works, to deliver energy that craves the magical image of a dream, it is said, starting to paint winged creatures, apparitions, angels, extra-terrestrial landscapes they were criticized for the artist.

There were certain events that they recorded it with mixed feelings. Witnessing unfortunate deaths in the battlefield of the Franco-Prussian War, where he spent a short time, death as his mother and later his lover of life: Alexandrine Dureux were possibly precipitating to the surface in search of what he ineffable, an obsession with sacred themes, showing a lively interest in the link between the human and divine, real and unreal, the highest ideal and misery coarser. Examples are "Galatea (1880) and Galatea (1896). Moreau himself refers in this way his painting: "Here is a hideous giant who loves a beautiful nymph." And it shows the Cyclops Polyphemus in a contrite attitude of surrender to Galatea that embodies the perfect ideal of beauty and goodness. Is it possible that the beast can hold deep within themselves feelings of pure love? "You may be able to experience a feeling that touch the sublime?

These works clearly shows how Moreau longs to find the link between malignancy and goodness, these extremes well represented with these characters. Polyphemus, forgetting his fierceness, summum hanker after the divine through contemplation Galatea. The latter appears as a hieratic image, dazzling and even indifferent to the presence of the giant, his hair very long, falling as gold filigree and it seems that a self-conscious aquatic vegetation is entangled fine the contours of your body, framing her silhouette and subtly covering the pubic area. The ideal height of a dream that the artist sketched in the prime of his life. Gustave Moreau was thus more than an artist, a weaver of dreams and myths that all of us.

Gustave Moreau - Galatea (1896)

Pobieralnia Disco Polo

Moreau La Galatea: The summum of beauty.

Gustave Moreau - Galatea (1880)

Gustave Moreau was more than a French painter, a visionary, true symbolism above who lived between 1826 and 1898. Almost had a self-education, because for unclear vicissitudes had to leave mainstream education.

was admitted to the Royal School of Fine Arts in Paris, he copied works of masters like Correggio, Michelangelo or Raphael. It was when he began to translate his own works, to deliver energy that craves the magical image of a dream, it is said, starting to paint winged creatures, apparitions, angels, extra-terrestrial landscapes they were criticized for the artist.

There were certain events that they recorded it with mixed feelings. Witnessing unfortunate deaths in the battlefield of the Franco-Prussian War, where he spent a short time, death as his mother and later his lover of life: Alexandrine Dureux were possibly precipitating to the surface in search of what he ineffable, an obsession with sacred themes, showing a lively interest in the link between the human and divine, real and unreal, the highest ideal and misery coarser. Examples are "Galatea (1880) and Galatea (1896). Moreau himself refers in this way his painting: "Here is a hideous giant who loves a beautiful nymph." And it shows the Cyclops Polyphemus in a contrite attitude of surrender to Galatea that embodies the perfect ideal of beauty and goodness. Is it possible that the beast can hold deep within themselves feelings of pure love? "You may be able to experience a feeling that touch the sublime?

These works clearly shows how Moreau longs to find the link between malignancy and goodness, these extremes well represented with these characters. Polyphemus, forgetting his fierceness, summum hanker after the divine through contemplation Galatea. The latter appears as a hieratic image, dazzling and even indifferent to the presence of the giant, his hair very long, falling as gold filigree and it seems that a self-conscious aquatic vegetation is entangled fine the contours of your body, framing her silhouette and subtly covering the pubic area. The ideal height of a dream that the artist sketched in the prime of his life. Gustave Moreau was thus more than an artist, a weaver of dreams and myths that all of us.

Gustave Moreau - Galatea (1896)

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Valkyrie. Unification

Edward Robert Hughes - Dream Idyll (The Valkyrie)

The Valkyries, figures of Norse mythology , name literally means " The choosing of the fallen in battle "because under the command of Freyja and the service of Odin, riding winged horses on the land, choosing the best warriors and then killing them, take them to the golden palace of Valhalla . was an honor to die for this noble purpose, any warrior wanted to resign before to suffer the sorrows of a dull old age, being pierced by the spear of Odin and then sent to be run through the five hundred forty doors Vingolf existing-home of the warriors in Valhalla. Gradually across each of these portals, the Valkyries were fed mead and lavished them countless unimaginable pleasures. It was therefore a pleasant expected bearing the shadow of the dead warriors to arrival time, have the distinction of fighting in the battle at the end of the world, Ragnarök, part of the divine hosts of Odin.

These mythical feminine deities represent found or clearly two seemingly contradictory aspects. Givers of life and time of death, were the ones with the function of providing the victory in battle, instilling a certain air warriors that make them invincible in battle. But, as we know, others were the true 'chosen', to which they were presented with beautiful and radiant, displaying dazzling flashes. What at first glance looked like a mortal warrior aurora borealis in the sky, was a Valkyrie, and even in their hearts they knew that death had come, his spirit rejoiced in such glory.

In this painting, Edward Robert Hughes is impressive in a deep black winged horse on the float to death, flying the skies with his eyes sharpened and ready to spot the heroic warrior. His hair is golden like the walls of Valhalla, the position of his body indicates severity ... ... rigor force, without losing any of their delicacy and femininity.

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Valkyrie. Unification

Edward Robert Hughes - Dream Idyll (The Valkyrie)

The Valkyries, figures of Norse mythology , name literally means " The choosing of the fallen in battle "because under the command of Freyja and the service of Odin, riding winged horses on the land, choosing the best warriors and then killing them, take them to the golden palace of Valhalla . was an honor to die for this noble purpose, any warrior wanted to resign before to suffer the sorrows of a dull old age, being pierced by the spear of Odin and then sent to be run through the five hundred forty doors Vingolf existing-home of the warriors in Valhalla. Gradually across each of these portals, the Valkyries were fed mead and lavished them countless unimaginable pleasures. It was therefore a pleasant expected bearing the shadow of the dead warriors to arrival time, have the distinction of fighting in the battle at the end of the world, Ragnarök, part of the divine hosts of Odin.

These mythical feminine deities represent found or clearly two seemingly contradictory aspects. Givers of life and time of death, were the ones with the function of providing the victory in battle, instilling a certain air warriors that make them invincible in battle. But, as we know, others were the true 'chosen', to which they were presented with beautiful and radiant, displaying dazzling flashes. What at first glance looked like a mortal warrior aurora borealis in the sky, was a Valkyrie, and even in their hearts they knew that death had come, his spirit rejoiced in such glory.

In this painting, Edward Robert Hughes is impressive in a deep black winged horse on the float to death, flying the skies with his eyes sharpened and ready to spot the heroic warrior. His hair is golden like the walls of Valhalla, the position of his body indicates severity ... ... rigor force, without losing any of their delicacy and femininity.

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Sensual. A woman contemplates

Old Kiss - Manuel Domínguez Guerra

agglomerated

blood throbbing lips quivering ...

a feverish desire to give your heart at every kiss.

The anchor of a language ...

breaks insatiable fire sea and sex ...

lost all breath

by eager and voracious delight.

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Sensual. A woman contemplates

Old Kiss - Manuel Domínguez Guerra

agglomerated

blood throbbing lips quivering ...

a feverish desire to give your heart at every kiss.

The anchor of a language ...

breaks insatiable fire sea and sex ...

lost all breath

by eager and voracious delight.

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...

A Summer Night - Albert Moore

Albert Moore, English painter born in 1841, down of a family with artistic talent. He was the youngest of fourteen siblings, which in addition to him, four more were devoted to painting also. Undertook many trips, they did know the most celebrated in different styles orbs. At the beginning his work did not get accepted. However, soon the 'Benjamin' family, began to gain recognition for their work, when indicted in search of that 'ideal of beauty' that breathes close, but it is impossible to feel with your fingers. Albert Moore is confined to issues where the female figure silent observer, not only for its sensual character, but for its liveliness, brightness and spirituality.

The beauty that comes through is a beauty that is in the majestic and subtle interplay of the characters, the graceful and solemn attitude of the players. His paintings produce the sensation enclosure, where the watch is impossible to locate a physical center, giving the impression to the observer, to be included invisibly in the canvas.

The woman who paints, is the woman always encased in gauze and silks, which shows a dynamic sensuality. Indeed, 'Summer Night' is one of the paintings in recent years of his life, a delicate work while majestic. The model shows itself in different stages of being asleep. Thus, induced sleep, a rest on its side, which angelic lady on the bed, relaxed, fragile and innocent. Another, getting ready for a comfortable rest of your hair off the pins that hold it. And the other, likely to have felt the morning air, stretch your body, ready to enjoy the pleasures of the new day. Is it an illusion that sees the model, which is observed with a serious interest in the various facets night? Illusion or not, this beautiful show seems to float or have the background to a deep lake that shines azulísimo in the distance.

Free Day Spring E-cards Texting

...

A Summer Night - Albert Moore

Albert Moore, English painter born in 1841, down of a family with artistic talent. He was the youngest of fourteen siblings, which in addition to him, four more were devoted to painting also. Undertook many trips, they did know the most celebrated in different styles orbs. At the beginning his work did not get accepted. However, soon the 'Benjamin' family, began to gain recognition for their work, when indicted in search of that 'ideal of beauty' that breathes close, but it is impossible to feel with your fingers. Albert Moore is confined to issues where the female figure silent observer, not only for its sensual character, but for its liveliness, brightness and spirituality.

The beauty that comes through is a beauty that is in the majestic and subtle interplay of the characters, the graceful and solemn attitude of the players. His paintings produce the sensation enclosure, where the watch is impossible to locate a physical center, giving the impression to the observer, to be included invisibly in the canvas.

The woman who paints, is the woman always encased in gauze and silks, which shows a dynamic sensuality. Indeed, 'Summer Night' is one of the paintings in recent years of his life, a delicate work while majestic. The model shows itself in different stages of being asleep. Thus, induced sleep, a rest on its side, which angelic lady on the bed, relaxed, fragile and innocent. Another, getting ready for a comfortable rest of your hair off the pins that hold it. And the other, likely to have felt the morning air, stretch your body, ready to enjoy the pleasures of the new day. Is it an illusion that sees the model, which is observed with a serious interest in the various facets night? Illusion or not, this beautiful show seems to float or have the background to a deep lake that shines azulísimo in the distance.

Octo Vue Fx Capturing

On Pygmalion and Galatea.

Pygmalion and Galatea

- Jean Léon Gérôme

"... Pygmalion went to the statue and the touch, he thought he was hot, the ivory softened and deposing its hardness, yield to gentle finger as Mount Hymettus wax softens the sun's rays and left handle with your fingers, taking various shapes and become more gentle and soft on management. Seeing, Pygmalion is filled with great joy mixed with fear, believing he was mistaken. He touched the statue other time, and made sure it was a flexible body and the veins were in their beats to explore with your fingers ... "

From Ovid, The Metamorphosis.

Book X.

Octo Vue Fx Capturing

On Pygmalion and Galatea.

Pygmalion and Galatea

- Jean Léon Gérôme

"... Pygmalion went to the statue and the touch, he thought he was hot, the ivory softened and deposing its hardness, yield to gentle finger as Mount Hymettus wax softens the sun's rays and left handle with your fingers, taking various shapes and become more gentle and soft on management. Seeing, Pygmalion is filled with great joy mixed with fear, believing he was mistaken. He touched the statue other time, and made sure it was a flexible body and the veins were in their beats to explore with your fingers ... "

From Ovid, The Metamorphosis.

Book X.

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Seduce ...

Zephyrus wooing Flora by Henrietta Rae

Seduce my beloved Zephyrus

Wake and lead me to the sweet fragrance of roses your Avívame

breath feeds the smooth touch of your weakness and strength

My beloved

Zephyrus, suspírame the soul ...

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Seduce ...

Zephyrus wooing Flora by Henrietta Rae

Seduce my beloved Zephyrus

Wake and lead me to the sweet fragrance of roses your Avívame

breath feeds the smooth touch of your weakness and strength

My beloved

Zephyrus, suspírame the soul ...

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Sunrise ...

L'Aurore - William Bouguereau

Sunrise, and I look in the air caressing that comes to me through the window to let go, try to see you again in the sweet dew place in crimson flower petals, in the infinite harmonic voice sings the waiting to make you feel and the sweetness of your arms, to live.

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Sunrise ...

L'Aurore - William Bouguereau

Sunrise, and I look in the air caressing that comes to me through the window to let go, try to see you again in the sweet dew place in crimson flower petals, in the infinite harmonic voice sings the waiting to make you feel and the sweetness of your arms, to live.

Jak Wyglada MaЕ‚a Wiewiorka

Max Klinger: A Chimera World.

Seduction - Max Klinger

Considered the father of modern print in Germany. Max Klinger was born in Leipzig in 1857 and died in 1920. In his paintings, sculptures and drawings, shows the power of symbolism and the domain of the mixture of different techniques.

His influences include Menzel and Goya. But when around 1900 known Arnold Böcklin, his work is substantially influenced by it. Klinger was also famous and questioned by his famous series of prints entitled " Paraphrase on the discovery of a glove ", which is submerged in the unconscious field, representing shades of fears and desires, giving rise to novel psychoanalytic interpretations.

But it is true, Klinger has that special, when we see one of his works, we remember one of those dreams that we had some night and it is impossible to erase from our memory for the bizarre, shadowy, unreal , and alluring than it seemed; a dream that more attempts to do, no explanation and we found him yet, in ourselves, we know that it is a precious and delicate part of our own world. In other words, Klinger shows us a world chimeric secured with thin threads into reality.

In "Seduction," German in our eyes a fantasy of pleasure in the waves of a dark ocean. The lovers embrace of colossal nude mounted on aquatic creatures. The world of dreams and captures the depths of the viewer's vision, superimposed on the ordinary world, visible in the concavity formed by the wave frothy. Underwater lovers there seem alien or separate from this reality, embracing each his one real universe.

How to express the fantasy that struggles to emerge from ourselves and concatenated with the observable and objective that captures our senses? Klinger made it through his work. "I live in me and I wander in the reflections of my eyes light gas-mirror-people." The artist wrote in his diary, to give us an idea of \u200b\u200bthe connection between these two aspects through his work.

Jak Wyglada MaЕ‚a Wiewiorka

Max Klinger: A Chimera World.

Seduction - Max Klinger

Considered the father of modern print in Germany. Max Klinger was born in Leipzig in 1857 and died in 1920. In his paintings, sculptures and drawings, shows the power of symbolism and the domain of the mixture of different techniques.

His influences include Menzel and Goya. But when around 1900 known Arnold Böcklin, his work is substantially influenced by it. Klinger was also famous and questioned by his famous series of prints entitled " Paraphrase on the discovery of a glove ", which is submerged in the unconscious field, representing shades of fears and desires, giving rise to novel psychoanalytic interpretations.

But it is true, Klinger has that special, when we see one of his works, we remember one of those dreams that we had some night and it is impossible to erase from our memory for the bizarre, shadowy, unreal , and alluring than it seemed; a dream that more attempts to do, no explanation and we found him yet, in ourselves, we know that it is a precious and delicate part of our own world. In other words, Klinger shows us a world chimeric secured with thin threads into reality.

In "Seduction," German in our eyes a fantasy of pleasure in the waves of a dark ocean. The lovers embrace of colossal nude mounted on aquatic creatures. The world of dreams and captures the depths of the viewer's vision, superimposed on the ordinary world, visible in the concavity formed by the wave frothy. Underwater lovers there seem alien or separate from this reality, embracing each his one real universe.

How to express the fantasy that struggles to emerge from ourselves and concatenated with the observable and objective that captures our senses? Klinger made it through his work. "I live in me and I wander in the reflections of my eyes light gas-mirror-people." The artist wrote in his diary, to give us an idea of \u200b\u200bthe connection between these two aspects through his work.

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The meeting of the lovers dream. Instant

Night - Max Klinger

seemed to be in his eyes again ... watching, feeling, revealing each of their most intimate secrets, those who did not reveal anyone but him, who loved and revered her belly like a dying man worships a source of life.